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Photographers photograph in varying degree for (a) the experience or for (b) the images. When you photograph for the experience, the emphasis is on the process itself – the pleasure of the making a pinhole camera, the pleasure of planning pictures, and the pleasure of making pictures with a simple device. When you photograph for the images, the emphasis is mainly on the result. The pinhole camera is basically an imaging device with potentials which other cameras or techniques do not possess, e.g. softness of definition, infinite depth of field, rectilinearity.

In photography certain subjects may be better suited for a particular technique than others. Photojournalists, for example, normally use 35 mm SLRs in their work. Portrait photographers often use medium format cameras. Architecture is best rendered by large format cameras. Also in pinhole photography some subjects are better suited than others. Long exposures exclude certain subjects, softness of definition exclude others. Infinite depth of field and rectilinear ultra wide-angle images represent a special potential.

Beginners should start with subjects with clear graphic shapes or bright colors in sunlight. Cityscapes tend to make better pictures than rural landscapes with their soft lines and softer shades of color or grey tones – at least for the beginning pinhole photographer. Portraits may prove slightly more difficult than still lifes, objects, structures, buildings and cityscapes.

 
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